Avital Meshi

  • Work
    • An Ontology of Becoming (2023)
    • This Person Is Not Me (2022)
    • Front Page (2022)
    • The New Vitruvian (2022)
    • Structures of Emotion (2021)
    • ZEN A.I (2021)
    • InVisible (2021)
    • The Cage (2021)
    • The Cyborg Project (2021)
    • Wearable AI (2021)
    • Snapped (2021)
    • #AngryWhiteOldMale
    • The AI Human Training Center (2020)
    • The Avatar Genome Project (In Progress) >
      • Avatar pictures
    • Deconstructing Whiteness (2020)
    • Techno-Schizo (2020)
    • Don't Worry Be Happy (2020)
    • Face it! (2019)
    • Classification Cube (2019)
    • Live Feed (2018)
    • Memorial for a Virtual Friendship (2018)
    • VR2RL (2018)
    • Better Version (2018)
    • Virtual Chairs (2018)
    • Happy REZ day (2018)
    • Digital Creatures (2018)
    • Home made Virtual Soup (2017)
    • I Am Feeling (2017)
    • Uncanny Dance Party (2016)
    • Imagined (2016)
    • Mixed Reality (2016)
    • Textual Experience (2016)
    • Future Landscapes (2016)
    • Bisectional (2016)
    • Lucid Dreams (2016)
    • After the Media (2016)
    • #ilikeselfies (2016)
    • We are all different as a second language (2015)
    • Visually Similar (2015)
    • Virtual Mama (2014)
    • Me, Myself and I (2012)
    • Where do we come from? (2015)
    • sounds For Twine Game
    • Images for the cyborg project
  • Interviews
  • Publications
  • Info
    • CV
    • Artist Statement
    • Bio
  • Contact
  • Work
    • An Ontology of Becoming (2023)
    • This Person Is Not Me (2022)
    • Front Page (2022)
    • The New Vitruvian (2022)
    • Structures of Emotion (2021)
    • ZEN A.I (2021)
    • InVisible (2021)
    • The Cage (2021)
    • The Cyborg Project (2021)
    • Wearable AI (2021)
    • Snapped (2021)
    • #AngryWhiteOldMale
    • The AI Human Training Center (2020)
    • The Avatar Genome Project (In Progress) >
      • Avatar pictures
    • Deconstructing Whiteness (2020)
    • Techno-Schizo (2020)
    • Don't Worry Be Happy (2020)
    • Face it! (2019)
    • Classification Cube (2019)
    • Live Feed (2018)
    • Memorial for a Virtual Friendship (2018)
    • VR2RL (2018)
    • Better Version (2018)
    • Virtual Chairs (2018)
    • Happy REZ day (2018)
    • Digital Creatures (2018)
    • Home made Virtual Soup (2017)
    • I Am Feeling (2017)
    • Uncanny Dance Party (2016)
    • Imagined (2016)
    • Mixed Reality (2016)
    • Textual Experience (2016)
    • Future Landscapes (2016)
    • Bisectional (2016)
    • Lucid Dreams (2016)
    • After the Media (2016)
    • #ilikeselfies (2016)
    • We are all different as a second language (2015)
    • Visually Similar (2015)
    • Virtual Mama (2014)
    • Me, Myself and I (2012)
    • Where do we come from? (2015)
    • sounds For Twine Game
    • Images for the cyborg project
  • Interviews
  • Publications
  • Info
    • CV
    • Artist Statement
    • Bio
  • Contact
An Ontology of Becoming (2023)
This Person is Not Me (2022)
Front Page (2022)
The New Vitruvian (2022)
Zen AI (2021)
Structures of Emotion (2021)
InVisible (2021)
Smile Wear (2021)
Snapped (2021)

#AngryWhiteSeniorMale (2020)

The AI Human-Training Center (2020)

Deconstructing Whiteness (2020)

Techno-Schizo (2020)

Don't Worry, Be Happy (2020)

Face it! (2019)

Classification Cube (2019)

Live Feed (2018)

Memorial for a Virtual Friendship (2018)

VR2RL (2018)

Better Version (2018)

Virtual Chairs (2018)

Happy REZ Day (2018)

Digital Creatures (2018)

Vit0 Acc0nci 45 Years Later (2018)

Home made Virtual Soup (2017)

I am Feeling (2017)

Dancing on the last piece of earth (2017)

Future Landscapes (2016)

Lucid Dreams (2016)

Bisectional (2016)

Virtually Real (2016)

​Mixed Reality (2016)

​After the Media (2016)

#ilikeselfies (2016)

Textual Experience (2016)

Where Do We Come From? Where Are We Going? (2015)

We are all different as a second language (2015)

Visually Similar (2015)

Love Virtually (2015)

Virtual Mama (2014)

Me, Myself and I (2012)

​Day-dreaming (2012)

​Archival footage (2012)

Cir-cum-ci-sion (2012)

​Architecturing (2012)

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